{"id":11216,"date":"2025-02-26T12:06:07","date_gmt":"2025-09-09T14:54:09","guid":{"rendered":"https:\/\/corteospitale.org\/site\/?p=11216"},"modified":"2025-11-26T18:31:41","modified_gmt":"2025-11-26T16:31:41","slug":"grand-tour-2025","status":"publish","type":"post","link":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/","title":{"rendered":"Grand Tour 2025 – Golest\u00e2n Outil-Rouhi"},"content":{"rendered":"

Grand Tour 2025 – Golest\u00e2n Outil-Rouhi<\/h1>\n

 <\/p>\n

\n
\n

Il Nouveau Grand Tour, ideato e concepito dall\u2019Institut fran\u00e7ais Italia (IFI) \/ Ambasciata di Francia in Italia, \u00e8 un progetto di residenze artistiche rivolto a giovani talenti europei<\/strong> sotto i trent\u2019anni<\/strong> e realizzato in tutta Italia, attraverso una rete di istituzioni partner. Tra le principali sfide del Trattato del Quirinale<\/a>, questo importante programma artistico promuove il dialogo culturale e i valori europei di scambio e condivisione.<\/p>\n

L’artista selezionata per questa nuova edizione \u00e8 Golest\u00e2n Outil-Rouhi<\/strong>.<\/p>\n<\/div>\n

Golest\u00e2n Outil-Rouhi <\/strong>\u00e8 una performer, coreografa e artista multidisciplinare francese attualmente attiva a Bruxelles. Il suo lavoro si sviluppa all\u2019incrocio tra danza, arti visive e drammaturgia, interrogando il corpo come luogo politico, la memoria e i confini tra finzione e vissuto. <\/span>Ha conseguito una laurea triennale con lode presso l\u2019Institut Sup\u00e9rieur des Arts et Chor\u00e9graphies (ISAC) dell\u2019Acad\u00e9mie Royale des Beaux-Arts di Bruxelles e un Dipl\u00f4me National d\u2019Art presso l\u2019\u00c9cole Nationale Sup\u00e9rieure d\u2019Arts di Bourges. <\/span><\/p>\n

Le sue creazioni e collaborazioni sono state presentate in contesti come il Ravieversaire, Bodies In Space, <\/strong>Recyclart (Brussels), Mus\u00e9e Arch\u00e9ologique du Val d\u2019Oise, and Galerie HCE (Francia). Ha collaborato con artist\u0259 come Alphonse Eklou Uwantege, Zoe Hagen e Katayoun Rouhi.
\n<\/span>Dal 2018 \u00e8 membro del Laboratoire des Arts de la Performance (LAP) e nel 2022 ha ricevuto il sostegno della Fondazione Kenza per la formazione artistica all\u2019estero.<\/span><\/p>\n

La sua pratica artistica esplora le problematiche legate alla rappresentazione delle identit\u00e0 culturali miste attraverso il corpo e il movimento, a partire dalla sua esperienza personale franco-iraniana. Il progetto OPUS III<\/em><\/strong>, realizzato come lavoro finale del Master all\u2019Institut Sup\u00e9rieur des Arts et Chor\u00e9graphies di Bruxelles, costituisce l\u2019avvio di una ricerca che intende approfondire in Italia, in un contesto mediterraneo. Il suo obiettivo \u00e8 coinvolgere nuovi corpi e comunit\u00e0 locali per indagare narrazioni identitarie complesse e collettive, mettendo in discussione l\u2019idea di gesto artistico come atto sovrano.<\/p>\n

 <\/p>\n<\/div>\n

DIARIO DI VIAGGIO<\/strong><\/p>\n

Che cosa ha significato questo periodo di residenza per te per il lavoro nella fase in cui sei?<\/strong><\/em><\/p>\n

La residenza alla Corte Ospitale mi si \u00e8 presentata appena concluso il mio percorso di studi. \u00c8 un momento molto particolare nel percorso artistico, perch\u00e9 \u00e8 un periodo pieno di dubbi, in cui tutte le preoccupazioni si mescolano; e allo stesso tempo \u00e8 un periodo molto stimolante, in cui si coltiva tanto entusiasmo nei confronti del proprio lavoro in divenire. Per questo la mia residenza, tramite il programma del Nouveau Grand Tour, \u00e8 stata per me un momento particolarmente prezioso per fare il punto sul mio approccio al lavoro, il suo processo e come impegnarmi nel progetto su cui attualmente sto lavorando. Essere sola con il mio lavoro, in questo spazio fuori dal tempo per un mese, \u00e8 stato un po\u2019 come mettere la mia ricerca in una pentola a pressione, dove il pensiero si \u00e8 condensato.<\/p>\n

Qual \u00e8 per te il senso e il valore di uno spazio di residenza artistica?<\/strong><\/em><\/p>\n

Accompagnata dal pensiero di Virginia Woolf, non potevo non rendermi conto del privilegio che rappresenta poter beneficiare di un contesto spazio-temporale definito, libero da preoccupazioni materiali, che permette al mio lavoro di avere la libert\u00e0 necessaria per svilupparsi. \u00c8, a mio avviso, la missione di una residenza artistica: offrire queste condizioni di creazione agli artisti, che sono difficili da ottenere nei nostri spazi quotidiani. Come sostiene Woolf, lo sono in particolare per le donne e le minoranze; per le quali \u00e8 ancora pi\u00f9 complicato assicurarsi quel comfort pratico e materiale indispensabile allo sviluppo di un processo di creazione artistica.<\/p>\n

____________________<\/div>\n
 <\/div>\n
FR<\/strong><\/div>\n
 <\/div>\n
\n

Le Nouveau Grand Tour, con\u00e7u et imagin\u00e9 par l\u2019Institut fran\u00e7ais d\u2019Italie (IFI) \/ Ambassade de France en Italie, est un projet de r\u00e9sidences artistiques destin\u00e9 aux jeunes talents europ\u00e9ens de moins de trente ans<\/strong> et r\u00e9alis\u00e9 dans toute l\u2019Italie gr\u00e2ce \u00e0 un r\u00e9seau d\u2019institutions partenaires. Parmi les principaux d\u00e9fis du Trait\u00e9 du Quirinal<\/a><\/strong>, ce programme artistique d\u2019envergure promeut le dialogue culturel ainsi que les valeurs europ\u00e9ennes d\u2019\u00e9change et de partage.<\/p>\n

L\u2019artiste s\u00e9lectionn\u00e9e pour cette nouvelle \u00e9dition est Golest\u00e2n Outil-Rouhi<\/strong>.<\/p>\n

Golest\u00e2n Outil-Rouhi<\/strong> est une performeuse, chor\u00e9graphe et artiste pluridisciplinaire fran\u00e7aise actuellement active \u00e0 Bruxelles. Son travail se d\u00e9veloppe \u00e0 l\u2019intersection de la danse, des arts visuels et de la dramaturgie, interrogeant le corps comme lieu politique, la m\u00e9moire et les fronti\u00e8res entre fiction et v\u00e9cu. Elle est dipl\u00f4m\u00e9e d\u2019un bachelier avec distinction de l\u2019Institut Sup\u00e9rieur des Arts et Chor\u00e9graphies (ISAC) de l\u2019Acad\u00e9mie Royale des Beaux-Arts de Bruxelles, ainsi que d\u2019un Dipl\u00f4me National d\u2019Art de l\u2019\u00c9cole Nationale Sup\u00e9rieure d\u2019Arts de Bourges.<\/p>\n

Ses cr\u00e9ations et collaborations ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans des contextes tels que Ravieversaire, Bodies In Space<\/strong>, Recyclart (Bruxelles), le Mus\u00e9e Arch\u00e9ologique du Val d\u2019Oise et la Galerie HCE (France). Elle a collabor\u00e9 avec des artistes comme Alphonse Eklou Uwantege, Zoe Hagen et Katayoun Rouhi.
\nDepuis 2018, elle est membre du Laboratoire des Arts de la Performance (LAP) et, en 2022, elle a re\u00e7u le soutien de la Fondation Kenza pour la formation artistique \u00e0 l\u2019\u00e9tranger.<\/p>\n

Sa pratique artistique explore les probl\u00e9matiques li\u00e9es \u00e0 la repr\u00e9sentation des identit\u00e9s culturelles mixtes \u00e0 travers le corps et le mouvement, en partant de son exp\u00e9rience personnelle franco-iranienne. Le projet OPUS III<\/em><\/strong>, r\u00e9alis\u00e9 comme travail final de son Master \u00e0 l\u2019Institut Sup\u00e9rieur des Arts et Chor\u00e9graphies de Bruxelles, constitue le point de d\u00e9part d\u2019une recherche qu\u2019elle souhaite approfondir en Italie, dans un contexte m\u00e9diterran\u00e9en. Son objectif est d\u2019impliquer de nouveaux corps et des communaut\u00e9s locales pour interroger des r\u00e9cits identitaires complexes et collectifs, remettant en question l\u2019id\u00e9e du geste artistique comme acte souverain.<\/p>\n<\/div>\n

 <\/p>\n

JOURNAL DE VOYAGE<\/strong><\/p>\n

Que signifie pour toi cette p\u00e9riode de r\u00e9sidence, \u00e0 ce moment de ton travail?<\/strong><\/em><\/p>\n

La r\u00e9sidence \u00e0 la Corte Ospitale s\u2019est pr\u00e9sent\u00e9e \u00e0 moi juste apr\u00e8s ma sortie d\u2019\u00e9cole. C\u2019est un moment tr\u00e8s particulier dans le parcours artistique, car c\u2019est un moment rempli de doutes et o\u00f9 l\u2019ensemble des pr\u00e9occupations se retrouvent brass\u00e9es ; tout en \u00e9tant une p\u00e9riode tr\u00e8s stimulante, et o\u00f9 l\u2019on cultive beaucoup d\u2019enthousiasme par rapport \u00e0 notre travail en devenir. C\u2019est pour cette raison que ma r\u00e9sidence via le programme du Nouveau Grand Tour \u00e0 la Corte Ospitale s\u2019est pr\u00e9sent\u00e9e comme un moment particuli\u00e8rement pr\u00e9cieux pour me permettre de faire le point sur ma pratique, sur mon processus de travail et sur la mani\u00e8re dont je souhaitais m\u2019engager dans mon projet actuel. Avoir \u00e9t\u00e9 seule avec mon travail dans cet espace hors du temps pendant un mois, c\u2019\u00e9tait un peu comme d\u2019avoir mis ma recherche dans une cocotte minute o\u00f9 la pens\u00e9e \u00e9tait condens\u00e9e.<\/p>\n

 <\/p>\n

Quel est pour toi le sens et la valeur d\u2019un espace de r\u00e9sidence artistique?<\/strong><\/em><\/p>\n

Accompagn\u00e9e par la pens\u00e9e de Virginia Woolf, je ne pouvais pas ne pas me rendre compte du privil\u00e8ge que cela constitue de pouvoir b\u00e9n\u00e9ficier d\u2019un cadre spatial et temporel d\u00e9fini, et exempt de pr\u00e9occupations mat\u00e9rielles, pour pouvoir accorder \u00e0 ma pratique la libert\u00e9 n\u00e9cessaire \u00e0 son d\u00e9veloppement. C\u2019est \u00e0 mon sens la mission d’une r\u00e9sidence
\nartistique, qui permet d\u2019offrir ces conditions de cr\u00e9ation aux artistes, qui sont difficiles \u00e0 obtenir au sein de nos environnements quotidiens et, comme d\u00e9fendu par Woolf, en particulier pour les femmes et les personnes minoris\u00e9es, pour lesquelles il est d\u2019autant plus difficile d\u2019\u00e9tablir le confort pratique et mat\u00e9riel n\u00e9cessaire au d\u00e9veloppement d\u2019un processus de cr\u00e9ation artistique.<\/p>\n

____________________<\/p>\n

\n
\n
\n
\n
\n
\n
\n
\n
\n
 <\/div>\n
EN<\/strong><\/div>\n

\n<\/strong>The Nouveau Grand Tour, conceived and designed by the Institut fran\u00e7ais Italia (IFI) \/ Embassy of France in Italy, is an artistic residency project aimed at young European talents under the age of 30<\/strong> and implemented throughout Italy through a network of partner institutions. Among the main challenges of the Quirinal Treaty<\/a>, this important artistic program promotes cultural dialogue and European values of exchange and sharing.<\/div>\n
 <\/div>\n
The artist selected for this new 2024 edition is Golest\u00e2n Outil-Rouhi<\/strong>.<\/div>\n
 <\/div>\n<\/div>\n<\/div>\n<\/div>\n
Golest\u00e2n Outil-Rouhi <\/strong>is a French performer, choreographer and multidisciplinary artist currently based in Brussels. Her work unfolds at the intersection of dance, visual arts and dramaturgy, often questioning the politics of the body, memory, and the boundaries between fiction and lived experience.<\/span><\/div>\n
\n

She holds a Bachelor\u2019s degree with High Distinction from the Institut Sup\u00e9rieur des Arts et Chor\u00e9graphies (ISAC), Royal Academy of Fine Arts in Brussels, and a National Diploma in Arts from the \u00c9cole Nationale Sup\u00e9rieure d\u2019Arts de Bourges.<\/p>\n

Her performances have been presented in institutions and festivals such as Ravieversaire, Bodies In Space, <\/strong>Recyclart (Brussels), Mus\u00e9e Arch\u00e9ologique du Val d\u2019Oise, and Galerie HCE (France).<\/p>\n

She is also a member of the Laboratoire des Arts de la Performance (LAP) since 2018 and has received support from the Kenza Foundation for Higher Education Abroad in 2022.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

\n
Her artistic practice explores issues related to the representation of mixed cultural identities through body and movement, drawing from her own French-Iranian background. The OPUS III<\/em> <\/strong>project, created as her final Master’s work at the Institut Sup\u00e9rieur des Arts et Chor\u00e9graphies in Brussels, marks the beginning of a research she wishes to expand in Italy, within a Mediterranean context. Her aim is to involve new bodies and local communities in the exploration of complex and collective identity narratives, while questioning the sovereignty of the artistic gesture.<\/div>\n<\/div>\n
 <\/div>\n
 <\/div>\n
\n
\n

\ud835\udc3f\ud835\udc52 \ud835\udc4e\ud835\udc61\ud835\udc61\ud835\udc56\ud835\udc63\ud835\udc56\ud835\udc61\ud835\udc4e\u0300 \ud835\udc51\ud835\udc52\ud835\udc59 \ud835\udc36\ud835\udc52\ud835\udc5b\ud835\udc61\ud835\udc5f\ud835\udc5c \ud835\udc51\ud835\udc56 \ud835\udc45\ud835\udc52\ud835\udc60\ud835\udc56\ud835\udc51\ud835\udc52\ud835\udc5b\ud835\udc67\ud835\udc4e \ud835\udc38\ud835\udc5a\ud835\udc56\ud835\udc59\ud835\udc56\ud835\udc4e-\ud835\udc45\ud835\udc5c\ud835\udc5a\ud835\udc4e\ud835\udc54\ud835\udc5b\ud835\udc4e (\ud835\udc3f\u2019\ud835\udc4e\ud835\udc5f\ud835\udc4f\ud835\udc5c\ud835\udc5f\ud835\udc52\ud835\udc61\ud835\udc5c \u2013 \ud835\udc47\ud835\udc52\ud835\udc4e\ud835\udc61\ud835\udc5f\ud835\udc5c \ud835\udc37\ud835\udc56\ud835\udc5a\ud835\udc5c\ud835\udc5f\ud835\udc4e \ud835\udc51\ud835\udc56 \ud835\udc40\ud835\udc5c\ud835\udc5b\ud835\udc51\ud835\udc4e\ud835\udc56\ud835\udc5b\ud835\udc5c | \ud835\udc3f\ud835\udc4e \ud835\udc36\ud835\udc5c\ud835\udc5f\ud835\udc61\ud835\udc52 \ud835\udc42\ud835\udc60\ud835\udc5d\ud835\udc56\ud835\udc61\ud835\udc4e\ud835\udc59\ud835\udc52 \ud835\udc51\ud835\udc56 \ud835\udc45\ud835\udc62\ud835\udc4f\ud835\udc56\ud835\udc52\ud835\udc5f\ud835\udc4e) \ud835\udc60\ud835\udc5c\ud835\udc5b\ud835\udc5c \ud835\udc5f\ud835\udc52\ud835\udc4e\ud835\udc59\ud835\udc56\ud835\udc67\ud835\udc67\ud835\udc4e\ud835\udc61\ud835\udc52 \ud835\udc50\ud835\udc5c\ud835\udc5b \ud835\udc56\ud835\udc59 \ud835\udc50\ud835\udc5c\ud835\udc5b\ud835\udc61\ud835\udc5f\ud835\udc56\ud835\udc4f\ud835\udc62\ud835\udc61\ud835\udc5c \ud835\udc51\ud835\udc56 \ud835\udc40\ud835\udc56\ud835\udc36 \u2013 \ud835\udc40\ud835\udc56\ud835\udc5b\ud835\udc56\ud835\udc60\ud835\udc61\ud835\udc52\ud835\udc5f\ud835\udc5c \ud835\udc51\ud835\udc52\ud835\udc59\ud835\udc59\ud835\udc4e \ud835\udc36\ud835\udc62\ud835\udc59\ud835\udc61\ud835\udc62\ud835\udc5f\ud835\udc4e, \ud835\udc45\ud835\udc52\ud835\udc54\ud835\udc56\ud835\udc5c\ud835\udc5b\ud835\udc52 \ud835\udc38\ud835\udc5a\ud835\udc56\ud835\udc59\ud835\udc56\ud835\udc4e-\ud835\udc45\ud835\udc5c\ud835\udc5a\ud835\udc4e\ud835\udc54\ud835\udc5b\ud835\udc4e, \ud835\udc36\ud835\udc5c\ud835\udc5a\ud835\udc62\ud835\udc5b\ud835\udc52 \ud835\udc51\ud835\udc56 \ud835\udc40\ud835\udc5c\ud835\udc5b\ud835\udc51\ud835\udc4e\ud835\udc56\ud835\udc5b\ud835\udc5c, \ud835\udc36\ud835\udc5c\ud835\udc5a\ud835\udc62\ud835\udc5b\ud835\udc52 \ud835\udc51\ud835\udc56 \ud835\udc45\ud835\udc62\ud835\udc4f\ud835\udc56\ud835\udc52\ud835\udc5f\ud835\udc4e<\/p>\n

\n

\"\"
\n<\/a><\/h1>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Grand Tour 2025 – Golest\u00e2n Outil-Rouhi   Il Nouveau Grand Tour, ideato e concepito dall\u2019Institut fran\u00e7ais Italia (IFI) \/ Ambasciata di Francia in Italia, \u00e8 un progetto di residenze artistiche rivolto a giovani talenti europei sotto i trent\u2019anni e realizzato in tutta …<\/p>\n","protected":false},"author":2,"featured_media":11496,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[332],"tags":[],"class_list":["post-11216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-residenze-artistiche-2025"],"acf":[],"yoast_head":"\nGrand Tour 2025 - Golest\u00e2n Outil-Rouhi - LA CORTE OSPITALE<\/title>\n<meta name=\"description\" content=\"Grand Tour 2025 - Golest\u00e2n Outil-Rouhi\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Grand Tour 2025 - Golest\u00e2n Outil-Rouhi - LA CORTE OSPITALE\" \/>\n<meta property=\"og:description\" content=\"Grand Tour 2025 - Golest\u00e2n Outil-Rouhi\" \/>\n<meta property=\"og:url\" content=\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/\" \/>\n<meta property=\"og:site_name\" content=\"LA CORTE OSPITALE\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/corteospitale\" \/>\n<meta property=\"article:published_time\" content=\"2025-09-09T14:54:09+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-26T16:31:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/corteospitale.org\/site\/wp-content\/uploads\/2025\/02\/IMG_6195-scaled-e1760693386379.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1707\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuela\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuela\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/\"},\"author\":{\"name\":\"Manuela\",\"@id\":\"https:\/\/corteospitale.org\/site\/#\/schema\/person\/2e6c7771de31d29fa1f09440dc741ce0\"},\"headline\":\"Grand Tour 2025 – Golest\u00e2n Outil-Rouhi\",\"datePublished\":\"2025-09-09T14:54:09+00:00\",\"dateModified\":\"2025-11-26T16:31:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/\"},\"wordCount\":1641,\"publisher\":{\"@id\":\"https:\/\/corteospitale.org\/site\/#organization\"},\"image\":{\"@id\":\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/corteospitale.org\/site\/wp-content\/uploads\/2025\/02\/IMG_6195-scaled-e1760693386379.jpg\",\"articleSection\":[\"Residenze 2025\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/\",\"url\":\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/\",\"name\":\"Grand Tour 2025 - Golest\u00e2n Outil-Rouhi - LA CORTE OSPITALE\",\"isPartOf\":{\"@id\":\"https:\/\/corteospitale.org\/site\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/corteospitale.org\/site\/wp-content\/uploads\/2025\/02\/IMG_6195-scaled-e1760693386379.jpg\",\"datePublished\":\"2025-09-09T14:54:09+00:00\",\"dateModified\":\"2025-11-26T16:31:41+00:00\",\"description\":\"Grand Tour 2025 - Golest\u00e2n Outil-Rouhi\",\"breadcrumb\":{\"@id\":\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#primaryimage\",\"url\":\"https:\/\/corteospitale.org\/site\/wp-content\/uploads\/2025\/02\/IMG_6195-scaled-e1760693386379.jpg\",\"contentUrl\":\"https:\/\/corteospitale.org\/site\/wp-content\/uploads\/2025\/02\/IMG_6195-scaled-e1760693386379.jpg\",\"width\":1707,\"height\":1707},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/corteospitale.org\/site\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Grand Tour 2025 – Golest\u00e2n Outil-Rouhi\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/corteospitale.org\/site\/#website\",\"url\":\"https:\/\/corteospitale.org\/site\/\",\"name\":\"LA CORTE OSPITALE\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/corteospitale.org\/site\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/corteospitale.org\/site\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/corteospitale.org\/site\/#organization\",\"name\":\"Corte Ospitale\",\"url\":\"https:\/\/corteospitale.org\/site\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\/\/corteospitale.org\/site\/#\/schema\/logo\/image\/\",\"url\":\"\",\"contentUrl\":\"\",\"caption\":\"Corte Ospitale\"},\"image\":{\"@id\":\"https:\/\/corteospitale.org\/site\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/corteospitale\",\"https:\/\/www.instagram.com\/corteospitale\/\",\"https:\/\/www.youtube.com\/user\/LaCorteOspitale1\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/corteospitale.org\/site\/#\/schema\/person\/2e6c7771de31d29fa1f09440dc741ce0\",\"name\":\"Manuela\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\/\/corteospitale.org\/site\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/ac6dcb2697d112cdbed0c3c486cf1a2150a160d7ea8f53aee6865d6c70612228?s=96&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/ac6dcb2697d112cdbed0c3c486cf1a2150a160d7ea8f53aee6865d6c70612228?s=96&r=g\",\"caption\":\"Manuela\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Grand Tour 2025 - Golest\u00e2n Outil-Rouhi - LA CORTE OSPITALE","description":"Grand Tour 2025 - Golest\u00e2n Outil-Rouhi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/","og_locale":"it_IT","og_type":"article","og_title":"Grand Tour 2025 - Golest\u00e2n Outil-Rouhi - LA CORTE OSPITALE","og_description":"Grand Tour 2025 - Golest\u00e2n Outil-Rouhi","og_url":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/","og_site_name":"LA CORTE OSPITALE","article_publisher":"https:\/\/www.facebook.com\/corteospitale","article_published_time":"2025-09-09T14:54:09+00:00","article_modified_time":"2025-11-26T16:31:41+00:00","og_image":[{"width":1707,"height":1707,"url":"https:\/\/corteospitale.org\/site\/wp-content\/uploads\/2025\/02\/IMG_6195-scaled-e1760693386379.jpg","type":"image\/jpeg"}],"author":"Manuela","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"Manuela","Tempo di lettura stimato":"4 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#article","isPartOf":{"@id":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/"},"author":{"name":"Manuela","@id":"https:\/\/corteospitale.org\/site\/#\/schema\/person\/2e6c7771de31d29fa1f09440dc741ce0"},"headline":"Grand Tour 2025 – Golest\u00e2n Outil-Rouhi","datePublished":"2025-09-09T14:54:09+00:00","dateModified":"2025-11-26T16:31:41+00:00","mainEntityOfPage":{"@id":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/"},"wordCount":1641,"publisher":{"@id":"https:\/\/corteospitale.org\/site\/#organization"},"image":{"@id":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#primaryimage"},"thumbnailUrl":"https:\/\/corteospitale.org\/site\/wp-content\/uploads\/2025\/02\/IMG_6195-scaled-e1760693386379.jpg","articleSection":["Residenze 2025"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/","url":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/","name":"Grand Tour 2025 - Golest\u00e2n Outil-Rouhi - LA CORTE OSPITALE","isPartOf":{"@id":"https:\/\/corteospitale.org\/site\/#website"},"primaryImageOfPage":{"@id":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#primaryimage"},"image":{"@id":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#primaryimage"},"thumbnailUrl":"https:\/\/corteospitale.org\/site\/wp-content\/uploads\/2025\/02\/IMG_6195-scaled-e1760693386379.jpg","datePublished":"2025-09-09T14:54:09+00:00","dateModified":"2025-11-26T16:31:41+00:00","description":"Grand Tour 2025 - Golest\u00e2n Outil-Rouhi","breadcrumb":{"@id":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/corteospitale.org\/site\/grand-tour-2025\/"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#primaryimage","url":"https:\/\/corteospitale.org\/site\/wp-content\/uploads\/2025\/02\/IMG_6195-scaled-e1760693386379.jpg","contentUrl":"https:\/\/corteospitale.org\/site\/wp-content\/uploads\/2025\/02\/IMG_6195-scaled-e1760693386379.jpg","width":1707,"height":1707},{"@type":"BreadcrumbList","@id":"https:\/\/corteospitale.org\/site\/grand-tour-2025\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/corteospitale.org\/site\/"},{"@type":"ListItem","position":2,"name":"Grand Tour 2025 – Golest\u00e2n Outil-Rouhi"}]},{"@type":"WebSite","@id":"https:\/\/corteospitale.org\/site\/#website","url":"https:\/\/corteospitale.org\/site\/","name":"LA CORTE OSPITALE","description":"","publisher":{"@id":"https:\/\/corteospitale.org\/site\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/corteospitale.org\/site\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/corteospitale.org\/site\/#organization","name":"Corte Ospitale","url":"https:\/\/corteospitale.org\/site\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/corteospitale.org\/site\/#\/schema\/logo\/image\/","url":"","contentUrl":"","caption":"Corte Ospitale"},"image":{"@id":"https:\/\/corteospitale.org\/site\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/corteospitale","https:\/\/www.instagram.com\/corteospitale\/","https:\/\/www.youtube.com\/user\/LaCorteOspitale1"]},{"@type":"Person","@id":"https:\/\/corteospitale.org\/site\/#\/schema\/person\/2e6c7771de31d29fa1f09440dc741ce0","name":"Manuela","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/corteospitale.org\/site\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/ac6dcb2697d112cdbed0c3c486cf1a2150a160d7ea8f53aee6865d6c70612228?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/ac6dcb2697d112cdbed0c3c486cf1a2150a160d7ea8f53aee6865d6c70612228?s=96&r=g","caption":"Manuela"}}]}},"_links":{"self":[{"href":"https:\/\/corteospitale.org\/site\/wp-json\/wp\/v2\/posts\/11216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/corteospitale.org\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/corteospitale.org\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/corteospitale.org\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/corteospitale.org\/site\/wp-json\/wp\/v2\/comments?post=11216"}],"version-history":[{"count":13,"href":"https:\/\/corteospitale.org\/site\/wp-json\/wp\/v2\/posts\/11216\/revisions"}],"predecessor-version":[{"id":11664,"href":"https:\/\/corteospitale.org\/site\/wp-json\/wp\/v2\/posts\/11216\/revisions\/11664"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/corteospitale.org\/site\/wp-json\/wp\/v2\/media\/11496"}],"wp:attachment":[{"href":"https:\/\/corteospitale.org\/site\/wp-json\/wp\/v2\/media?parent=11216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/corteospitale.org\/site\/wp-json\/wp\/v2\/categories?post=11216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/corteospitale.org\/site\/wp-json\/wp\/v2\/tags?post=11216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}